Saturday, November 20, 2010

Liturgy of destruction and double desecration

Yes, I know, the above title probably names two existing death metal hits ;-)  Actually, the phrase "liturgy of destruction" came to me in a discussion of the title of the Book of Revelation a.k.a. the Apocalypse.  A lot of this book describes a heavenly liturgy: the Redeemer in priestly vestments surrounded by lampstands, thurifer angels offering up incense, readings (from a scroll nobody but the priestly Redeemer can read) and crowds of various sentient beings worshiping and singing hymns.  Even the large chunks of the work dealing with the destruction of everybody-we-don't-like have a liturgical flavor: seven seals, trumpets, and bowls mark out different torments. 

A search for "liturgy of destruction" surprisingly turned up not death metal album covers, but the distinctly more serious topic of the Holocaust (itself a strikingly liturgical metaphor) and other pogroms.  Google found me a page from a book: "Against the apocalypse: responses to catastrophe in modern Jewish culture," by David G. Roskies.  I was struck by the following description (p. 16) of the desecration of a synagogue by a Russian army in 1917:
When my eye caught sight of the eastern wall, I was totally shaken by what I saw.  The elaborate ornamentation on the ark, including the ten commandments up above, was left intact.  But in the middle of the empty ark itself a huge [Eastern Orthodox] icon [of Jesus] had been placed.

Tselem baheykhal, "an idol in the sanctuary," flashed through my mind.  And this shocked me more than all the pogroms I had witnessed.  An ancient response began to awaken within me, an echo of the destruction of the Temple... I felt that a terrible sacrilege had been perpetrated here, a desecration of both religions.  The brutal hand of a soldier run wild had exacted the same reprisal from God as from man.

The "double desecration" here stood out: the unknown vandals, violently subverting the Face of the Christ as a racial and political statement, desecrated it as much as the Jewish sanctuary.   It was after reading this, that I saw the following news story about some hateful locals in Phoenix, AZ who were protesting what they thought was a mosque under construction.  We laugh, because the supposed mosque was really just a dome for some Christian church, but the same double desecration stands out:  Jesus' Cross, Face, and Name subverted for racial and political ends, insulting Christianity itself along with Islam.  Wikipedia's article on the 1819 "Hep-Hep" riots has a fitting quote by Rahel Varnhagen: "Their hate does not stem from religious zeal: how can they hate other faiths when they don't even love their own?"

1 comment:

sigrid onegin said...

hi.
I googled the words and found your blog.
Am at Catholic church where a new pastor combined- for Solemnities, Advent, Holy days and Feasts- combined the 4 heavy amplified rock strumming guitars and forced organist to play pipe organ simultaneously with those rock guitars- recently.
He ordered the Mass for 4th Sunday of Advent: rock guitars- ordinary and propers; Gregorian Chant- Communion; rock guitars- Recessional.
Is that a desecration of the Mass, gravest sin? The music can not invalidate the MAss, only the Word can.
But Pope condemned the rock guitars even outside the church.
So is it the desecration of the Mass or just the abuse.
Thank you--if you know the answer.